On the subject of Georgian winemaking, I recently found these incredible old photos depicting various aspects of wine making and drinking. I found the photos on the British Library’s Endangered Archives Project website, but they are originally from the National Archives of Georgia. The first three were taken by the photographer, Constantine Zanis, probably in the late 19th or early 20th Century. The are of a man tending grapevines, Men crushing grapes, and a line of qvevri – the traditional vessel used for Georgian winemaking – along the side of a road.
The next is a photo of a fantastic pair of drinking horns set in silver. It was taken by the photographer, Dmitri Ivanovich Yermakov, and is dated 1880.
I’ve never enjoyed wine from a drinking horn, but imagine that it would somehow taste more . . . heroic.
The last photo is interesting because it shows men sampling wine out of a qvevri. The photograph is entitled Sampling Wine in Armenia. Although the oldest winemaking vessels are from Georgia, the practice was traditionally more widespread across the region – the term for qvevri in Armenian is karas. That said, it is not clear where this photograph was taken. I wonder whether it is in part of the territory that Georgia lost to Armenia during Sovietization, but clearly, the fashions seem to be Armenian. The photograph is by Gertrude Beasley, and is date 1923.
This is an essay that is long overdue. It’s been well more than a year since I ate delicious food paired with fantastic wines at Pheasants Tears tasting room in Sighnaghi, Georgia. The dishes and the wine were wonderful and remain vivid in my memory, but they were also matched by the hospitality shown to me by the people of Pheasants Tears. My apologies, Gia, Tamar, Alex, and all of the other great folks I met that day. I hope that this post expresses how grateful I am for the time we spent together.
From the moment one steps through the elaborately carved doors of Pheasants Tears, you know that this isn’t just another tasting. You can feel the difference in the dusky pink stones and bricks that line the walls of the tasting room and you can see it in the smiling and laughing faces of the guests. There is LOVE here. You are surrounded by people who love what they do and who are anxious to share it with you.
Visits usually begin with a tour of the tasting room and its modest winemaking museum. A centuries-old carved, wooden basin for holding grapes for processing hints at old the art of vintning is in Georgia’s eastern Khaketi province. Sighnaghi is a few hundred miles from Areni-1 cave with its Copper-Age wine production site (dated 4223 – 3790 BCE). In between these two points lies Shulaveri, Georgia where the oldest domesticated grape pips have been dated to eight-thousand years ago. So clearly, viticulture, vintning, and wine drinking in Georgia are amongst the most ancient in the world.
Traditional Georgian winemaking is done underground. Large earthenware vessels called qvevri are coated with beeswax to make them less porous and to provide a near neutral pH surface for the wine to ferment in. The qvevri are then sunk into the ground or buried below a cellar in a wine-making facility, and usually left to season or age before first use. Then, the qvevri are filled with partially smashed grapes and their accompanying liquid, and pounded some more to fully macerate the grapes. The contents of the qvevri are stirred several times a day to push the skins of the grapes down into the wine The only yeasts used to ferment the grapes are the natural yeasts that come in on the grapes. After a week or two of stirring, the qvevri are sealed with stone caps and clay for months or years as the wines mature.
I was lucky enough to be greeted and toured around by the brilliant man who makes the food at Pheasant’s Tears tasting room as unique and as unforgettable as its wines – Chef Gia Rokashvili. His culinary creations meld the freshest Georgian herbs and produce with modern, healthy, preparation methods and deep knowledge of both traditional Georgian and French cuisine. He calls this his, “fusion,” style. I call it inspired and delicious.
A large party of Russian tourists were in mid-meal when I arrived, so after my tour, Gia gave me into the care of his wife, Tamar who is the maître d’hôtel and manager of the tasting room and a visiting American vintner named Alex Rodzianko. As Gia went to oversee the kitchen, Alex and I began tasting – and eating.
We started with a light white Chinuri – a great summer wine – with a floral aroma and a crisp finish, and moved on to an amber Rkatsiteli (my husband’s favorite), another light wine with a surprisingly full body given its color and aroma. As we tasted, a parade of light dishes began to flow from Gia’s kitchen to our table. A salad of tomatoes and cucumbers was first up, followed by some heavenly roasted eggplant with garlic, walnuts, and herbs. Last up was a Georgian specialty called jonjoli which is a seed pod of a bladdernut (Staphylea colchica) that tastes something like a caper, only Georgian’s prepare them with the tender, young greens attached. Lightly tossed in safflower oil and a bit of seasoning, its not to be missed.
After the Rkatsiteli, Alex offered me a delicious Tavkveri, a full bodied red with hints of cranberry and hibiscus. It has an incredible floral aroma that fills the senses and hints of the wonderful flavors to come. We closed with a glass of chacha to aid our digestion. Chacha is technically a grape brandy, but it is very strong (like grappa on steroids). It is a traditional homebrewed liquor that can also be made from other fruits such as figs, mulberries and tangerines, that is now being made by professional distillers. By the time we got to the chacha, my driver walked into the tasting room for the third time and began glowering at me with a smokiness that only a Georgian can muster. He also had his ample arms crossed across his chest. Subtle though he was, I got the message. Reluctantly, I had to leave. Thank yous and hugs all ’round and a few bottles to bring home and I was on my way.
If your own travels take you to Georgia, do pay a visit to the Pheasants Tears tasting room. It is a wonderful place with great wine, delicious food, and wonderful people. A great place to spend a day, or two, or three, and feel the love that they bring to their work. In the car ride back to the city, I began to understand why people return again and again, and some, never leave. (Words and all photos by Laura Kelley)
Autumn on the Silk Road means pickles, and one unique kind gives garlic a chance to stand out on its own. One of my favorite Silk Road pickles is Pomegranate Pickled Garlic enjoyed in the Black Sea countries of Georgia and Armenia, and down into Azerbaijan and Iran. . . [MORE HERE]
This five-spice mix forms the backbone of Uyghur cuisine – at least that part of it that deals with roast meats. Variations of this mix are used to flavor many Uyghur dishes, with other ingredients – salt, garlic, onions, etc., added to the mix as needed.
The flavor of the Uyghur five-spice blend is robust and smoky with light spicy bites from the Sichuan peppercorns, and the effect it has on roast meats is phenomenal. Feel free to use it on kebabs and roasts like the Uyghurs do, or just on regular old steaks like I do. My kids love when I use it on beef and lamb, and miss it when I don’t.
It has a great deal in common with other five-spice mixes from East Asia, and also with some of the masalas from the Himalayas – especially those from Tibet and Nepal. (To read a post about the variations in these spice mixes, follow this link.) In fact it is sort of a combination of both sets of spices. With the east, it shares Sichuan pepper and star anise, and with the Himalayan masalas it shares black peppercorns and black cardamom. Interestingly, the base of the Uyghur five-spice blend is made up of roasted cumin, which is found in abundance with Western and Southern Asian spice mixes. So once again, the Uyghur recipe blends ingredients from across the Silk Road with unique results.
As to chili peppers, there are a number of them used in Uyghur cooking that range from mild to blazing hot. Unfortunately, I have not been able to find any of these in the US, and thus turned to the familiar and widely available Japone. If you can find Sichuan chilis, these are a good moderately-hot substitute for Uyghur chilis.
I need to stress that there is no set recipe for these mixes. They vary by region, city or even by household, depending upon individual and familial tastes. That said, however, the roasted cumin is always there as are the Sichuan peppercorns to some degree or another. The smokiness, however, can sometimes come from black cumin instead of black cardamom, and sometimes I have had versions that distinctly had cinnamon as part of the mix. Here’s my favorite blend:
Ingredients 1/4 cup cumin seeds
1 tablespoon Sichuan peppercorns
3 tablespoons black peppercorns
10 dried red chilies (Japones will work but Sichuan is best)
Seeds from 4-5 black cardamom pods
3-4 star anise pods (pieces are fine)
Method Dry roast spices separately until fragrant (do not scorch or burn)
What summer picnic is complete without a light and refreshing bean salad? These light and refreshing salads complement roast meats and vegetables wonderfully and are easy to prepare and are extremely nutritious as well! What’s not to love? My favorite bean salad is also a Silk Road favorite from Pakistan. Read all about the bean salad, the silk road and Pakistani cuisine HERE!
Pomegranates have been used as symbols to conjure everything from lust and sexual abandon, to fertility and prosperity, to blood and national identity, and even, as in Persephone’s case, death and rebirth. Pomegranates have been with us since the beginnings of civilization and their image has meanings that span the entirety of human existence. Read more about pomegranates on Zester Daily – HERE.
Last year I had the pleasure of visiting the Areni-1 cave in southern Armenia. Many unique and noteworthy artifacts have been found in the cave, including leather shoes; fine linen fabric, woven reed mats, and pottery vessels of different styles and periods. In addition, preserved within the cave is also the site of the world’s oldest known winery. When the archaeologists studying the site announced this in 2012, I knew I just had to see it for myself.
The cave is situated overlooking a winding road that slips through a valley along the edge of the Arpa River. Small cafes and vendors dot the roadside. We pulled into one of the cafes that had grapevine canopies over tables that straddled side branches of the river. I thought we were just stopping for lunch, but when I looked up, we were also right at the base of the cliff where the Areni-1 cave was located.
The earthen path to the cave was well worn, but very steep and without steps or rail, so it was a bit of a trudge get to the mouth of the cave. It was also a hot, late spring day, and the sun, although welcome after several days of clouds and showers, beat down on us as we climbed. As we neared the mouth of the cave, a dog ran by us at breakneck speed, making me wish for a few less years on my own personal pedometer.
The view into the valley from the cave mouth is spectacular. The hills across the access road are low and one can see for many miles to the north. Presuming a similar lay of the land in the recent past, the cave would have provided excellent protection for occupants and as well as the ability to see animals or people headed their way at a distance. It was the ultimate early room with a view.
Just to the left of the cave mouth is the main occupation area. Although the cave was inhabited on and off from the Neolithic to the late Middles Ages, the bulk of the habitation was in the Chalcolithic or Copper Age in the late 5th to early 4th millennium BCE. This area has yielded hearths, grindstones, clay storage bins, and numerous goat and sheep bones (mostly goat). In addition to their provenance, the bones themselves show signs of processing for harvesting meat and marrow as well as cooking, indicating that cave occupants were eating animals on site and probably living in proximity to them as well. Areni’s famous leather shoes were found in this area. Also found here were obsidian and chert tools. The obsidian is interesting because there are no deposits of it in the Arpa valley within 20 kilometers of the cave, indicating that cave inhabitants were either getting it themselves at a greater distance, or trading with others who had ready access to the material.
When I was in college I worked for a summer at the Tautavel caves in southern France. The material used for some of the tools at that Neanderthal site came from several hundred miles away. So trade at a distance for Areni’s much more modern inhabitants is no surprise. It is important to remember, however, when considering the flow of information, such as that concerning the domestication of plants or ways of processing them for food and drink, or for the ability to trade wine, say for obsidian, perhaps?
Although the cave has electricity, the day we visited, it was out. In fact, we were told it was on before our climb, but it seemed to fail especially for our visit. I don’t know how many of you are spelunkers, but as you enter a cave, the light falls off rapidly. Just a handful of feet inside the mouth of the cave and we were in near darkness that became pitch as we made our way deeper inside. Someone had a half-dead flashlight with them, and that was the only light we had to guide us. The photos in this post are a credit to my trusty Nikon and its ability capture and amplify light, because it was impossible to see a few inches beyond the weak torchlight with the unaided eye.
To the left, in the darkness of the cave, was the main wine processing area. This area has a shallow clay tub, the center of which is occupied by the mouth of a large jar. Archaeologists think that this basin was for the pressing of grapes or berries, and that the pressed juice flowed into the mouth of the large jar. This interpretation is bolstered by the discovery of desiccated grapes, grape seeds and skins still attached to pedicels, and even grape stems in close proximity to these jars. Morphological examination of the Copper-Age grape remains found here suggest that they are an intermediary between wild and domestic fruits, so it is possible that grape domestication was in process at Areni-1. The presence of large storage jars around the pressing installation may even indicate that secondary fermentation took place there. Plastering of jar mouths would have created an airlock, protecting the wine from oxidation. Carbon-14 dating of the grapes in this area places them between 4223 – 3790 BCE, making this the oldest wine-producing assemblage yet discovered. There are older jars with sediments that have been identified as wine known from Georgia and Iran, which indicates the consumption of wine in those places, but Armenia has the claim as oldest site for wine making.
In addition to grapes, the remains of many other fruits, drupes, and nuts were found in the cave, including plums, pears, hackberries, silverberries, almonds and walnuts. These could have been for consumption as food items, or some of them (notably plums and pears) could have been used in the production of mixed-fruit wines. The presence of the walnuts are also notable because there is very little data on when humans started to domesticate (purposely plant and harvest nuts) from these trees. Areni-1 offers remains and a firm range of dates when inhabitants were eating these in the Caucasus. Charred grains such as emmer, early wheat (Triticum cf. aestivum), naked and hulled barley, lentils, and grass peas were also found in the cave.
We trudged on slowly towards the rear of the cave, feeling more than seeing our way forward towards an area where the skulls of three sub-adult human skulls were found sealed into large pottery jars. One of the skulls had well preserved brain tissue within. Also around this area, several adult leg and arm bones with evidence of carnivore chewing (probably a dog) were also found. All of the human remains predate the winemaking by several hundred years. Beyond the fact that their heads were severed from their bodies, archaeologists do not know how to interpret these remains. They are being called, “burials,” but it is not clear whether these tweens and teens were sacrificed, or whether they died from natural causes and their heads interred in ritual remembrance. The largest skull has evidence of new bone formation on the inside of the skull, but no evidence of fracture or deliberate penetration into the cranial cavity. This suggests an inflammatory response to an infection as can occur in the encephalidities, meningitis, and osteomyelitis. However, because the adult long bones were chewed by a dog, and some of them were found sealed in pots, I suspect that these kids may have been victims of rabies. We know that rabies was a problem in the Old Babylonian Period of ancient Mesopotamia because they had spells to try to counteract it Although Areni-1 is much older than the earliest known evidence of rabies in Mesopotamia, It is not too far flung to imagine that these kids died after an infectious bite from a rabid animal. Whatever the cause of death, my money is on ritual remembrance of these children, not sacrifice or ritual cannibalism as some have suggested.
As we made our way out of the cave, the return of the light felt like emerging from the world of the past represented in the artifacts and assemblages. I imagined the sounds of people chatting while they worked, animals bleating, some meat cooking on the hearth, and people making and tasting the old Areni-1 vintages. Imagination is a powerful thing, because not two minutes by Jeep from the base of the cave is the Areni Wine Factory. Despite its Soviet-sounding name, the wines they make are good and the people who make it are knowledgeable about their wines and wine culture beyond their borders. That day, they were tasting some mixed fruit wines. I sampled the grape-cherry and grape pomegranate both of which were very good. A quick tour of the cellar ended the day and we got back in the Jeep to find some beds for the night. As we drove, I couldn’t help but reflect upon the coincidence of modern winery so near to the world’s oldest known winery, and wondered how similar (or how different) the people of the Arap Valley are to those who lived in Areni-1.
(Words and photographs by Laura Kelley. Recording of rabies Incantation borrowed from the London SOAS website).
The booksigning at the Smithsonian went well. Actually it went very well – we sold and signed all but two of the books purchased for the event. I also really enjoyed meeting people and discussing the book with them. I was pleased to see that people were most interested in the book’s message that cuisines are interconnected, and how dishes we think of as cornerstones of national cuisines actually contain ingredients from all over the world.
To that end, I thought that a demonstration of how globally-sourced ingredients were combined for one of my favorite subcontinental dishes was in order. The recipe is for a delicious sweet, spicy, hot and sour shellfish that will amaze you. The recipe and description are followed by an analysis of ingredients and their origins. What seems like and Indian or subcontinental dish has connections to five continents and many more nations. It is truly global, and should be savored by all.
Shrimp or Scallops in a Spicy Tomato Sauce
1 pound shrimp, peeled, rinsed and deveined, or
1 pound sea or bay scallops
¼ teaspoon cayenne pepper
¼ teaspoon ground turmeric
1 tablespoon mustard or other seed oil
2 tablespoons peanut or light sesame oil
2-3 teaspoons fennel seeds
1 teaspoon yellow mustard seeds
4-5 hot, dried, red chili peppers, torn or chopped
1 large onion peeled, sliced, and separated into crescents
3-4 teaspoons garlic, peeled and chopped
¼ cup of water to moisten (more if needed)
3 teaspoons ground cumin
1 ½ teaspoons ground coriander
1 ½ cups tomato sauce
1 teaspoon tamarind paste dissolved into 2–3 tablespoons lemon juice
1 teaspoon salt
½ cup plain yogurt
1 medium bunch fresh cilantro leaves, chopped (20–30 sprigs)
¼ teaspoon Indian Garam Masala
1. Shuck and devein shrimp or prepare scallops and place into a bowl with the cayenne pepper, turmeric, and a pinch of salt. Stir well, cover, and set aside for at least 1 hour.
2. Heat oil in a sauté pan over medium heat and when hot, sauté the fennel seeds for a minute or two. Remove from heat and let sit while shrimp or scallops marinate in the spices.
3. When almost ready to cook, reheat oil and add the mustard seeds and chili peppers and sauté for a minute. The mustard seeds may pop as the warm up, so you may wish to cover the pan, and shake to move contents. When done, remove from heat and let sit for five minutes.
4. Warm the sauté pan with the fennel and mustard seeds up again and add the onions and garlic. Stir and fry until the onions turn translucent and start to turn golden.
5. Add water to moisten. When water is warm, put in the cumin, coriander, and tomato and mix well. Cook 3–5 minutes to fully warm the spices.
6. Add tomato sauce, tamarind, lemon juice mixture, and salt. Cook to warm and add yogurt and cilantro leaves. Cover and gently cook for 15 minutes. Add garam masala and mix well. (The recipe can be paused here to allow other dishes to finish.)
7. If paused, reheat curry base and add shrimp and cook for 3–5 minutes or until shrimp are fully cooked. Serve immediately with rice or bread.
Now, here comes the fun part. The map below depicts where the ingredients from this dish hail from. Lines terminate only in rough geographic areas, not on specific places:
The only ingredients that originate in India are black pepper, cardamom and cinnamon, and they are all in the garam masala used to finish the dish. Important certainly, but in this dish, almost an afterthought. Turmeric may also originate on the subcontinent, but no one is sure whether that is the case, or whether it arose in Southeast Asia and was adopted in antiquity by the Indians.
From South America there are chili peppers, and peanuts in the peanut oil, and from North America there is the tomato, and possibly the cayenne pepper. From North Africa (Southern Mediterranean) there is black mustard seed in the mustard oil, and from East Africa there is the lovely, sour tamarind pod. From Southern Europe there is fennel and yellow mustard seed and from Asia minor there is coriander or cilantro. Onions and garlic probably hail from Central Asia (Turkmenistan to Kyrgyzstan) because that is where most of the genetic diversity in Allium species is found, and cumin is Western Asia’s gem, which has been flavoring dishes from ancient Mesopotamia to today.
Cloves and nutmeg used to round out the garam masala of course come from Indonesia’s Moluccas, and the dish is usually served on rice which comes from China’s Pearl River valley, but it can also be enjoyed with bread, or potatoes from the New World.
All of these ingredients made their way to India through movement of people and ideas or through trade and conquest. Some ingredients arrived deep in prehistory, and some are relative newcomers which only arrived in the middle or late centuries in the last millennium. The Silk Road was an important part of the spread of these ingredients and in the forging of links between cuisines and cultures.
To some degree, we tend to think of the world’s borders and biodiversity much as we find them today, but a simple exercise like this shows us that this is not really the case at all, and it hasn’t been the case throughout much of human history. With apologies to locally-sourced aficionados, eating-locally is a relatively modern concept when compared to the global nature of most dishes.
Cultures combine ingredients differently, but most cuisines include ingredients from places beyond their national borders. Each bite connects us with the past and with the people who often travelled great distances to bring variety home. Diversity is a wonderful concept, appreciate it the next time you enjoy a delicious curry or stew or koresh or bhaji or braise or . . . (Words and ingredient analysis by Laura Kelley; Photo of Shrimp or Scallops with Spicy Tomato Sauce by Celeste Heiter; Map of Ingredients drawn by Laura Kelley).
For the past forty years, archaeologists on the Saudi peninsula have been piecing together a pre-Islamic past featuring great city-states that had cultural and commercial connections with the cities of ancient Mesopotamia, Syria, Egypt, Greece and Rome. These ancient trade cities are one of the foci of a new exhibit at the Sackler in Washington, DC, called Roads of Arabia. The other set of “roads” treated in the exhibit are the later Islamic-era pilgrimage roads to Mecca and the influence of the people traveling those roads on the Arab world. With 320 objects spanning more than one-million years, from Paleolithic petroglyphs to the rise of the modern Saudi state, the exhibit is a showcase of treasures never seen in the United States until now.
The exhibit is laid out chronologically and begins with three rock stelae with individual faces carved on them recovered from Found near Ha’il in the north-central region of Saudi Arabia. They date to around 3500 BCE, and starkly lit, the stelae glow against a black background, and invite you to approach and ponder the people who made them. Other early objects are those from Tarut, an island on Saudi Arabia’s eastern coast that was the center of the Dilmun civilization that was later to move to the island now known as Bahrain.
Objects from this era include black, gray and white stone jars, cups, and bowls that may have originated in SE Iran or may have been made on Tarut. Items of similar design and manufacture have been found in Syria, Mesopotamia, and as far east as the Fergana Valley in present-day Uzbekistan, indicating the extent of the trade network that the people of Tarut were part of in antiquity.
Another statue of definitive Tarut manufacture is of a man singing a prayer that shows evidence of Near Eastern influence. It is a large, limestone piece, slightly over 3-feet in length. His rounded head, right hand clasping his left to his chest, as well as his triple-banded belt are all found in Mesopotamian statuary from a similar period around 2500 BCE.
Although I preferred the earlier items on display because of the evidence they provided of connections with other ancient cultures, there are some stunning things to see in the later part of the exhibit as well. One such item is a gold funerary mask from the tomb of a young girl from Thaj that is around 2000 years old. The mask is serene and beautiful and reminds me of the “Mask of Agamemnon” found at Troy that dates to 1500 BCE. Also in the tomb was a large amount of gold jewelry with semiprecious stones such as amethysts, carnelian and pearls that would have adorned the girl in the afterlife. The design of the mask and the jewelry both show contact with Greco-Roman civilization, and are evidence of the wealth that trading brought to ancient Arabia.
From the period of about the 4th Century BCE to the 16th century, there are fine examples of molded and blown glass that have somehow survived the passage of time. Some of these are locally made, and others are of foreign manufacture – all are beautiful and of a variety of colors and iridesence. One of my favorites was a small medicine bottle shaped and colored like a date.
From the second part of the exhibit depicting the roads to Mecca, there is a breathtaking display of tombstones of pilgrims who died at Mecca or on the way and were laid to rest there. The stones are carved from local basalt that often has its natural shape. The Arabic calligraphy that adorns the stones is highly designed to fit the shape of the stones and the space allowed for the epitaths. This section of the exhibit is both beautiful, sad and very human and reminds us that people and their stories lay behind each and every object.
There is also an unspoken message of the exhibition to western ears that I “can’t not” mention, and that is that the Saudis and other Muslims embrace their pre-Islamic history. The deplorable crimes against history and humanity that have been committed in Bamiyan and in many other places are not based in Islam or the Koran and are product of unfortunate, closed minds.
So, in closing, the exhibit does a good job telling us how ancient Arabs traded indigenous goods such as incense and aromatic spices, but it doesn’t show us how Arabs were global dealers in goods from many shores. Arabs dealt in timbers from Africa and South Asia and spices from India and Indonesia and brought these items to the far reaches of the world. Without Arab merchants, the Silk Road might not have been the engine of globalization that it was. I hope that future archaeological finds help tell this missing part of the story and further fill in the past of these great peoples.
The exhibit runs through February 24th in Washington and then travels to the Houston Museum of Fine Arts, San Francisco’s Asian Art Museum and venues in Chicago and Boston through early 2015. If you are near any of these venues or will be passing through, make time to see this exhibit. You will learn a lot and see many, “wondrous things.” (Words by Laura Kelley. Photo of Ha’il Stelae, Gold Death Mask and Gravestones of the Faithful from exhibition website; photo of Singing Man from Tarut from pamphlet, Tarut Island by Murtadha Al-Ruwaie.)
Click on the YouTube video below for the official teaser-trailer of the exhibition (its great)!
Click the link above to read the article on the publisher’s website and peruse the other articles in the issue. I really like the magazine, because its stated objective is to build understanding between peoples by increasing reader’s knowledge of the Muslim world and its peoples and their connections to the west.
Thanks to the editors of the magazine for publishing the article, and thanks to the friends of Silk Road Gourmet who allowed me to submit their photos to illustrate these delicious, ancient dishes. I hope you enjoy the article as well as the magazine!