Making 1000 Year Eggs

So, as promised, I spent several hours yesterday making 1000 Year Eggs.  That is, I coated a dozen and a half duck eggs with caustic mud, rolled and pressed them in rice chaff, and set them aside to dry.  Later I placed them in a soil-lined ceramic crock and will let them sit for three to three-and-a-half months, before checking to see if I did it right.  I’m sure if they start to rot instead of chemically change, we will be aware of it.

To start off, the eggs in the mud looked like this:

Duck Eggs Caustic Mud

Duck Eggs Caustic Mud

Then one thoroughly (and evenly) coats them with the mud:

Coating the Eggs

Coating the Eggs

And lastly, after they are covered with rice chaff, they look like this:

Eggs Coated with Mud and Chaff

Eggs Coated with Mud and Chaff

And now we wait. . . three whole months for the chemical conversions to take place inside the egg. After the ingredients to make pidan are mixed, the following chemical reactions take place:

CaO + H2O -> Ca(OH)2
Ca(OH)2 + Na2CO3 -> 2NaOH + CaCO3
Na2O3 + H2O -> 2NaOH + O2
K2O + H2O -> 2KOH

*The Na2O3 and K2O are from the plant ash

Because of the porosity of the egg shell, NaOH is first adsorbed to the surface, and, owing to a change in the osmotic pressure, NaOH enters the egg through the pores and subsequently penetrates the semi-permeable membrane, coming into contact with the egg protein, causing it to become denaturized and hydrolysed into polypeptides and finally into amino acids.

The result is that 1000 Year Eggs are much higher in protein and much lower in carbohydrates than unpreserved duck eggs. Other nutritional elements such as amino acids and fatty acids are about equal between the two egg forms, although the preserved egg generally has a bit less of everything in it.

The recipe follows:

1000 Year Eggs

Ingredients
3 – 4 cups black tea brewed very strong + strained tea leaves
2/3 cup sea salt
3 cups wood ash
3 cups charcoal ash
1 ¾ cups quicklime

18 fresh duck eggs
2-3 pounds rice chaff
Latex gloves

I procured all of the ingredients from internet retailers except the wood and charcoal ash which our neighbors were generous enough to donate to the project in exchange for a chance to taste the bounty of the experiment. We also had the sea salt and tea on hand.

Method

  1. Brew the tea. I used at least a cup of loose tea leaves for 8 cups of water (I did say strongly brewed, right?) Let the tea sit for at least an hour to get really strong. In the meantime, find a large, non-reactive vessel (like a plastic painter’s bucket or other very large and deep bowl) and put the salt, ashed and quicklime into the bowl. When the tea is done, add about 3 cups and stir well. Then strain the tea, preserving both the liquid and the solids and add the spent tea leaves to the mud mixture. If necessary, add more brewed tea until the mud is a thick, but not watery solution.
  2. Put on latex or other protective gloves. The mud is caustic and will cause skin discomfort.
  3. Place the first batch of eggs into the mud and coat them well. I let mine sit for about 15 minutes before moving on to the next step. Find a large, deep bowl and fill it with rice chaff. After the eggs have rested in the mud, take them up one at a time and make sure they are completely coated. I found that the mud was a bit sticky and almost serous and didn’t want to adhere to the surface of the shell. When the coating is more or less uniform, place the egg in the chaff. Wipe excess mud off of your gloves by scraping on the edge of the vessel holding the mud. Then take handfulls of chaff and cover the egg with it completely. Pick up the egg and put chaff on the reverse side if needed. Then lightly compress the egg in your hand to try to get the chaff to bond with the mud. Remember the egg is raw and don’t squeeze too hard. When the chaff fully coats the egg (add more chaff if necessary), set it on a plate and move onto the next egg.

When all of the intended eggs are coated with mud and chaff, clean up. I let my eggs sit overnight before burying them in soil and lime. I used soil from outside (not potting soil) to fill the crock to get some natural microorganisms in the mix. Set crock in an out-of-the-way place and wait a few months. I placed mine in the garage where it will be protected from local animals, and be a bit warmer than it would be outside.

The reaction that causes the preservation proceeds more rapidly in warmer weather than in colder weather, so I will be waiting the full 100 days before checking on the eggs. Then you can look forward to posts exploring the flavor of these, wonderful ancient delicacies. (Words and recipe by Laura Kelley; All Photos by Laura Kelley)

What Am I Making? #1: 1000 Year Eggs

The correct answer is indeed 1000 Year eggs! (Contest closed: January 26, 2013)

Ingredients for Dish

Ingredients for Dish

The ingredients listed from left to right are: Duck eggs, rice chaff (for coating the eggs), black tea, lime and ashes (a combination of wood ash and charcoal ash.)

1000-year Old Eggs

1000-year Old Eggs

For those of you not in the know, 1000 Year Eggs, or Century eggs are a Chinese delicacy, eaten all over the country, except perhaps in the western, Turkic parts of the country. (As least I have never encountered them in the west). They are made by coating the eggs with a mud-like mixture of the ingredients above, along with a large amount of salt and burying them or aging them in a crock with soil for several months. The coating with caustic mixture and sodium and aging makes the firm ‘white’ of the egg turn amber and gelatinous and the yolk a dark, sea-mud green as shown in the photograph.

An egg processed thus tastes nothing like an egg. It has a sharp, almost cheesy flavor and a strong almost ammonia-like odor. Despite the description they are quite tasty and are enjoyed en seul, or with a variety of vinegar-based dipping sauces, drizzled with sesame oil, served with pickled ginger and tofu, served with a stir-fry of pork and spring onions (along with tofu and other ingredients). 1000 Year eggs can also be cut up and added to almsot any dish. They are commonly added to savory congees and tofu dishes.

As soon as it warms up enough to spend an extended period outside, I’ll be putting up a batch. I’ve got all the ingredients, its just a matter of letting the snow melt some. Of course, I’ll photograph the production and the harvesting of the eggs – sort of like how I recorded the making of garum the traditional way.

Great answers, everyone! Thanks for guessing!

I will giveaway two books – why not, right? Ellen and Mike, please send me your postal addresses and I’ll get your books in the mail ASAP!

Keeping Christmas Real

Tajik Madonna and Child

Tajik Madonna and Child

Every now and then around this time of year I post one of my photographs of a woman and her child to remind myself of the holy family’s humanity. (Click here for one of the Bangladeshi madonnas).

The emphasis on divinity and religous iconography in the two-thousand or so years since the holy family walked the earth has a tendency to eclipse the reality of who they were. They were poor. For a period of time during Jesus’s childhood they were wanderers or fugitives. At other times, they were a solid, salt-of-the-earth, working-class family.

And yet many believe that Jesus’s words and deeds made him special. That he was an ordinary man with an extraordinary message. He said he was the son of God. Over the years this was taken to mean that he himself was divine. I wonder sometimes if it is possible that he was trying to say that we were all sons and daughters of God. That is to mean that he was not divine, but that we are all special or divine and capable of great love, great deeds and great sacrifice. Then I wonder if we would recognize such a prophet if we encountered him today.

The photo I chose this year is of a woman and her child who I met along the Tashkorgan highway earlier in the year. She is poor and a wanderer who sells amber and garnet jewelery and artifacts to tourists and travelers. For Tajik women, a fair complexion is most desired, but the trader’s dark skin tells us that she spends a lot of time outside under the high-altitude sun. She is young and her beauty has not yet been marred by her harsh lifestyle. Her teeth are stained by high-mineral content ground water, a badge she will wear for the rest of her life. Her lovely, chubby baby is clothed in unmatched remnants, much like her mother, but she is happy and playing with a large chunk of milky yellow amber on a string.

So, I guess the point is that the madonna and her child is not a gold-encased painting in an alcove or on an altar or mantle in a private home, they are on earth all around us. The paintings are just representations, not of one particular mother and child pair but of every single one. Try to remember that the next time you encounter a poor, wandering family. They might have something important to say. (Words and photo of Tajik Madonna and Child by Laura Kelley).

Flowers that Have Changed the World of Food # 3: Cloves

“And somewhere near India is the island containing the Valley of the Cloves.  No merchants or sailors have ever been to the valley or have seen the kind of tree that produces cloves:  its fruit, they say, is sold by genies . . . the islanders feed on them, and they never fall ill or grow old.”

Summary of Marvels  (Ibrahim ibn Wasif-Shah, ca. 1000 CE)

From Indonesia’s Moluccas (Maluku) Islands to the rest of the world come the tiny but powerful flowerbuds we know as cloves.  More accurately, cloves are flowerbuds from the Syzygium aromaticum tree that are picked before opening and dried in the sun until they resemble the little reddish-brown batons used in most of the world’s cuisines.  Mentioned in the Indian Ramayana by the 5th or 4th century BCE (but possibly as early as the 10th Century BCE) and in later Sanskrit medical texts (Charaka Samhita) from the 1st Century BCE wherein they were recommended along with nutmeg to freshen the breath, these little blasts of bittersweet peppery flavor that we know today for their ability to energize other spices was first used for its aroma and as a medicinal ingredient.* **

Cloves Dried and in Flower

Maluku natives and other Indonesians smoked cloves and used them to treat stomach ailments, but did not use cloves in cooking.  These medicinal and aromatic uses were exported as the clove trade began in antiquity.  The Han Chinese used it as a breath freshener to mask the scent of tooth decay and halitosis and used cloves in perfumes and incense.  Additional medicinal uses in China and India included chewing cloves as a dental anesthetic or using an external rub of clove oil as a general analgesic or to lessen the pain of rheumatism.

Aromatic and Medicial Uses of Cloves

It is unclear when cloves started to be used as a culinary spice.  It is used in modern five-spice powders and garam-masalas, but there is little but unreferenced and contradictory information about the antiquity of its use in these culinary mixtures.  In the west, by the time of Pliny the Elder, the clove was still used as an aromatic perfume (NH 12.15), and there is also no mention of the culinary use of cloves in the 4th century ACE Cooking and Dining in Imperial Rome.  In the 6th and 7th century Byzantine writings of Kosmas Indicopleustes and Paulus Aegineta, cloves are still used for their scent and clove oil used topically as medicine.

There are intermediate uses of cloves as both medicine and culinary spice in 9th Century Europe at the Carolingian monastery of St. Gall in Switzerland, where monks used cloves to season their fasting fish (Pharmaceutical Journal and Transactions, 1877; viii, 121) along with pepper and cinnamon and several other indigenous plants and herbs.  In the 10th Century, Andalusian traveller Ibrâhîm ibn Ya`qûb notes that the burghers of Mainz (Germany) used cloves to season their food.

Ingredients for Baharat

Also in the 10th Century, it appears in The Book of Dishes by Ibn Nasr ibn Sayyar al-Warraq, listed as an aromatic along with musk, ambergris, and rosewater.  In this 10th Century tome, it is used along with purslane in a peach drink and in a relish of crumbs, raisins, vinegar and spices.

By the 13th Century, the acceptance of cloves as a culinary spice is widespread. In the 13th Century Andalusian Cookbook translated by Charles Perry, cloves are used in Ahrash, a type of lamb-burger, Mirkâs a cheese-based sausage; Sweetened Mukhallal a meat stew topped with beaten eggs; Madhûna, a baked chicken dish, a stuffed lamb breast; and an egg-based sausage, as well as several other dishes.

Also in the 13th Century, in the Book of Dishes by al-Baghdadi, cloves are used in the recipe Hummadiyya to flavor meatballs and the broth they cook in along with cinnamon, coriander, ginger, and pepper.

Kyrgyz Bal

Although I cannot yet prove my suspicions, my intuition tells me that that Arabs might have been the first to use cloves as a culinary spice and that this was spread to Europe with the conquest of Andalusia and Catalonia in 711 and throughout the known Islamic World during the Abbasid Caliphate, beginning in 750.

Called kutakaphalah in Sanskrit, qaranful in Arabic or karyphyllon in ancient Greek (as well as cengkeh in North Moluccan Malay), it is now hard to imagine the culinary world without cloves.  What would any of the eastern Asian five-spice powders be without cloves, or the subcontinental garam-masalas, not to mention Arab baharat, Moroccan Ras-el-hanout, Tunisian gâlat dagga and Ethiopian berbere?  Thailand’s Massuman Curry is also clove laden as are the many spice rubs used on kebabs in central and western Asia, and cloves are a major constituent in my favorite Central Asian spice tea bal.

Bal
Bal is a ubiquitous Kyrghyz hot drink served to welcome guests, with meals, and almost any time in between. It is a hot peppery tea made of boiled spices sweetened with honey that is delicious – especially on colder days. Although not enjoyed cold in Kyrghyzstan, it also makes an exotic iced tea drink as well.

4 cups water
2 teaspoon ginger, peeled grated and minced
1 stick cinnamon, lightly crushed
10 whole cloves, lightly crushed
1/8 teaspoon ground black pepper
2 bay leaves
3 tablespoons honey

Boil water until it has reached a rolling boil. Add spices and return to a boil. Lower heat and cover. Simmer for 10 minutes then remove from flame and let steep another 10-15 minutes. Strain into teapot or serving vessel. Stir in honey until completely dissolved.

In today’s world, we primarily use cloves in the kitchen, but still have medicinal and aromatic uses for them. In Indonesia, they are still used to flavor kretet or clove cigarettes. Interestingly, modern science is also investigating cloves for their antimicrobial properties (Yukawa et al., 1996; Kurokawa, et al., 1995) and finding that cloves have both good antiviral and antifungal activity in vitro. In antiquity, empires were built on them and men were enslaved and died for them. Remember that and more the next time you throw a bag or a bottle of cloves into your basket at the market. (Words and Research by Laura Kelley; Special thanks to Charles Perry for pointing out the use of cloves in the 10th and 13th Century recipes.  Photo of Dried Cloves from Wikiemedia; Photo of Clove Flowers by Timothy Motley; Photo of Kyrgyz Bal by Baby Kato).

Flowers that Have Changed the World of Food #1: Orchids
Flowers that Have Changed the World of Food #2: Saffron

* (Some claim that archaeological evidence of the use of cloves has been found at ancient Mesopotamian sites. This evidence (a jar purported to contain cloves) comes from excavations at the ancient city of Terqa, Syria (modern Ashara) on the middle Euphrates that dates to 1760-1600 BCE. However, the scholarly community is divided about whether the contents of the jar is actually cloves. With multiple trading “middlemen”, it is not out of the question that ancient Mesopotamians could have used cloves. Their presence in a scribal area could be for purposes of initial or early description. Until definitive evidence is produced, however, such as mass-spec or other type of constituent analyses, I am hanging back on saying these are cloves.)

** (Older scholarly documents (IH Burkill etc) and the internet are awash in references to a 3rd Century Chinese text that mentions cloves, but my perusal of Shen Nong Bao Cai Jing and several other turn of the millenia medical texts finds no mention of cloves at this time).

The Uyghur Musical Instrument Workshop

Instrument Maker’s Workshop

In a world of mass production and consumption, it is wonderful from time to time to appreciate the beauty and increasing rarity of hand-crafted goods. One of the ways that I was recently able to do so was during a visit to a Uyghur musical instrument workshop in Kashgar. There I found a variety of instruments crafted from mulberry or apricot wood that, in addition to being functional, were works of art – true masterpieces of inlay and marquetry.

A selection of fretted and unfretted lutes and other stringed instruments hung from the walls and ceiling, bodhran-like daf drums in stacks on the floor. In the rear of the store is a large, magnificent rawap or rabab decorated with snakeskin, bone and horn, and the bowed kushtars with carved birds perched lightly on the top of the neck where scrolls are positioned on western violin-like instruments. Reeds, pipes and painted and inlaid camel gourds were scattered on the central tables of the store. A treasure-trove of Uyghur musical culture all under one roof.

For the most part, many Uyghur musical instruments are related to Central and Western Asian instruments with some even having counterparts in the Levant and on the Arabian Peninsula. Some scholarly work suggests that some of these instruments even arose from Mesopotamian instruments and the history of their use is several millenia old.

Uyghur Lutes and other Stringed Instruments

In the lute-like class, there is the tanbur which is a long-necked fretted lute with a pear-shaped resonator of mulberry wood and a thin, graceful walnut neck. The tanbur has fourteen frets tuned in a semi-tempered chromatic scale and five metal strings attached in three courses to a bridge. The dutar is made from separate ribs of mulberry wood glued together with often a narrow half round strip on the outside of the joins. Its flat front has no soundholes. Its long thin neck has movable frets usually tuned in a half-diatonic scale. It has two strings and is strummed or plucked with the fingers of the right hand. The khushtar is a stringed instrument that resembles a viola that has 4 strings tuned G, D, A, E.  It is played upright, often while balanced on the knee and bowed with the right hand while the left works the frets.  The setar is a lute with four (sometimes three) strings and a large and variable number of movable frets (sometimes as many as 25 -27).

Selection of Snakeskin-covered Rawaps

For me, the most visually stunning of the instruments is the rawap. It has a rounded base made of a single piece of mulberry wood that is usually covered with snakeskin. In the case of this instrument workshop, python skin imported from Burma was the most commonly used skin. In addition to the snakeskin, the horns just above the junction of base and neck are characteristic. Today these are usually constructed of marqueted bone, but one or two examples in the shop had old-school horns on them. Both the base and neck are often inlaid with intricate designs. These instruments have three strings laid in three courses and are usually played with a plectrum on the right hand.

Mr. Ababakri Playing a Rawap

The most special part of the visit was to meet the shop owner, Mr. Muhammad Emin Ababakri, who is a fifth generation Uyghur musical instrument craftsman, and to get a brief tour of the workshop where all of his remarkable creations are made. Made by hand, by himself and by the other craftsmen he employs. I got to view several stages of instrument construction from honing the neck of a lute to tuning a newly made dutar and making sure the tone was of good enough quality’s to sell in Mr. Ababakri’s shop. You’ll find no plastic or nylon on his instruments, all of his frets are made from viscera or silk, and no plastic in the inlay, only bone, horn and wood – the finest traditional materials for the most beautiful instruments.

Musical Instrument Workshop

Alas, I left the shop empty-handed, because the instruments are dear even by western standards, but I will fondly remember the trip and may even write back to see if a rawap can be shipped to the US someday. (Words and photos by Laura Kelley. For those wishing to contact Mr. Ababakri, his card is scanned beneath the Uyghur musical samples.)

This first example Uyghur music is of a musician named Envar playing the dutar and singing:

This next you-tube video is great (if a bit cheesy with the musicians on a rotating lazy-susan) because it showcases several instruments and shows basically how they are played and sound. I also like the traditional riff rendered on a modern cello:

Mr. Ababakri’s Card

Kashgar Naan

Fresh-baked bread.  Three simple words that conjure up a host of wonderful sensations. The aroma of the bread. How it rises and turns first a golden, then a tawny color as it bakes.  The crackle of the crust and the feel of the warm bread on your hands as you tear off a piece.  The soft texture in your mouth . . . and the flavor!  It’s earthy, a bit sour and sweet at the same time, a little savory. . . Nothing beats it (well, almost nothing, anyway).

Now imagine you are in far-western China and you are experiencing all of these sensations, but you are in a small café on a dusty sideroad to the Karakorum Highway.  Welcome to my world.  But, it gets better.  On the table there is a small bowl of black tea brewed to perfection with fragrant rosepetals floating on the surface.  Plates are piled high with a pilaf of rice and lamb joints with julienned carrots or perhaps some lagman noodles with vegetables.  You sit on an ornate wool carpet of crimson and white design around a low, square table and chat with your dining companions or just silently enjoy the wonderful meal in front of you.

Milling with the sounds and sites of this dusty town (Opal, China) is the unmistakable aroma of freshly made bread.  Next to the café, a husband and wife team are busy making the next order of naan to sell at their stall and to sell to nearby restaurants.

Making naan: Rolling out the dough

The woman pounds and rolls out the balls of dough into plate-size flatbreads.  The dough is usually a plain naan like the recipe below, but it could also have lamb fat worked into the dough or minced onions or even ground seeds like fennel for mildly spiced bread.  Most of the time a durham wheat flour is used, but the Uzbekis sometimes use a chickpea flour as well.  After she has formed the naan, she stamps spiral designs on them with her chekish or stamper.  The stamper, although utilitarian, is a work of art unto itself.  It is handmade by the local craftsman of hardwood decorated with marquetry inlay.  The metal teeth are hand-sharpened and easily double as a defensive weapon in close combat.  When she is done, she hands the bread to her husband, or piles them nearby.

Making naan: Topping and Placing bread in the oven.

He puts sesame seeds and a bit of salt on the bread and tamps it down lightly.  The toppings for bread can be diverse, sesame and poppy are probably the most commonly seen, although on the most recent trip to China, I encountered naan with pounded peanuts on top at a vendor near the Turpan train station.  In Uzbekistan they like onions with fennel or anise seed, in Afghanistan the toppings are probably going to be caraway or black cumin or sesame – so the flavor can vary quite a bit.  The husband sizes and shapes the bread by placing it on the outside of a mold or clean pan and then slaps the bread onto the wall of the tandoor-style oven.  The natural moisture of the bread adheres it to the wall.

In a few minutes – given the high temperature of the oven – they are done, he stacks them to cool or sells them hot to eagerly waiting customers.

This is how much of the world eats.  Flatbread and tea with or without some sort of dairy in it (from a cow, sheep, horse or yak), or flatbread with bits of roasted fat-tailed mutton  or other meat or sweetbread wrapped inside.  Simple, delicious and nutritious.

Naan baking in the oven

The recipe below will help you get into the flatbread groove.  Others are available in The Silk Road Gourmet Volume 1 and more will be included in the second volume of the book. (Words, photos and recipe by Laura Kelley).

Kashgar Naan

Similar to many Uzbek recipes, this flatbread is baked in a stone tandoor, the stove of the region, which is sometimes buried in the ground. As with naan and bread recipes from Volume 1 of The Silk Road Gourmet, it is possible to use an all-metal wok turned upside down in the oven as a surface to “slap” dough on. Likewise, one can use the recommended method of baking on ungreased baking sheets for a delicious taste of Kashgar.

1 ½ cups warm water
1 package dry, active yeast
1 tablespoon sugar
4 cups flour
1 tablespoon salt
1 tablespoon sesame and poppy seeds (or other topping)

1. Mix warm water, yeast, and sugar together and set aside to activate for about 10 minutes. Add 1 teaspoon of flour to the yeast mixture, mix well, and set aside for another 5 minutes.

2. Add remaining flour to a large mixing bowl, indent the center to form a well, and add the yeast mixture to the flour and mix well. When mixed enough to handle with your hands, knead the dough for about 5 minutes and then place it back in the bowl, cover, and let rest for 1–1 ½ hours. For softer bread, less prone to crackle, let rest an additional 20-25 minutes.

3. Punch down the dough, divide into 8 equal parts, and roll each part into a ball. Shape each ball into a circle about the size of a large dinner plate: about 8 inches in diameter and ½-inch thick. Take a fork and lightly trace lines or crisscrosses (or use a chekish (stamper) if you have one). Sprinkle with sesame and/or poppy seeds and press lightly onto surface. Place on ungreased cookie sheet or slap onto heated, all-metal wok inside a traditional oven preheated to 350°. Cook for 10 minutes and turn for even cooking. Total cooking time about 15 – 20 minutes.

On Earth, there is Donkey Meat

天上龙肉,地上驴肉
In Heaven there is Dragon Meat, and
On Earth there is Donkey Meat

That is the saying in Northwest China, in Gansu province and the bordering areas of Xinjiang, Qinghai, Ningxia and Inner Mongolia. Donkey is revered as the earthly equivalent to dragon meat, and it is widely sought after and enjoyed by many.

Donkey with Yellow Noodles

Donkey meat is also available in Beijing, Shanghai and most big cities in between, but Gansu is the epicenter of donkey cuisine and where the most delicious dishes can be found. I sampled several donkey dishes, but by far the most delicious was the Donkey with Yellow Noodles (lurou huangmian) had in Dunhuang and pictured here.

The meat is tender, sweet and delicious. It tastes nothing like pork or beef. For obvious reasons, it does taste a little like horse, only it is sweeter and more tender, and like horse and many hoofy game meats it is also low in fat and high in protein. In addition to tasting good and being a healthy meat, it is also, very inexpensive, which I am sure adds to its popularity. The strips of charchuterie donkey meat for dipping are a little plain, the sandwiches and burgers are too ‘bready’ and the starch interferes with the great flavor of the meat (I favor buffalo steaks over burgers any old day as well), but for this wandering girl, the donkey with yellow noodles was just right. Another thing I like about the dish, was that it was a very “Asian” way to enjoy the dish.

I haven’t fully reconstructed this recipe yet, but my notebook reads: “Lots of sliced garlic, a bit of chopped ginger, spring onions and chilies are stir fried in sesame oil for a few minutes. Mixed vegetables (carrots, sweet red pepper, tomato) and mushrooms are added and sauteed until tender. Toss and add light soy and rice wine (Shaoxing) with a bit of cane or brown sugar and stir. Add tofu (if desired). Some mustard greens are added into the fray and then the precooked donkey slices. Cover and cook to warm. Drain noodles, toss with a light coating of sesame oil if desired. When greens are tender but still bright green and meat warm, remove wok from the heat and serve.” In the restaurant, the noodles were tossed with the meat and vegetables before service and served with chilies marinated in oil and a strong, dark vinegar. Don’t be afraid – its delicious!

Yakitori-like Donkey Kebabs

Another way that I tried and really liked donkey was as donkey kebabs on the street. These are tiny little rib kebabs. Little mouthfuls of meat that are more like Yakitori than like a large Turkic-derived kebab. And the ones I had had been marinating in chilies and sugar and soy and had a light chili paste coating on them. This offset the usually sweet taste of donkey and made it sweet and spicy at the same time. Sort of a teryaki-like taste but hotter and richer – really good!

As evident in the opening saying, the donkey is revered in Chinese culture – and not only for their taste. The donkey is revered in poetry and painting as the animal that carries the wandering poet or artist on his journeys.

Caught In Drizzle At Sword Gate Pass
Lu You 1125-1210

Traveling clothes, dust caked, wine stained,
Journeying far, overwhelmed by grief.
In this life what am I?
only a poet
straddling a donkey
Entering Sword Gate in a drizzling rain.

These journeys are crucial to artist’s ability to create because they provide him the experience of the world from which his art flows. Sometimes they carry the artist away from his worldly disappointments in the city and into the more spiritual realm of nature and art.  In other world views, the donkey is one of Kali’s mounts and in the Christian faith, guess who carried the holy family to Bethlehem and into Egypt? A beast of burden, yes.  But also something much more.  Something to think about if you venture east and try some donkey delicacies. (Words by Laura Kelley.  Photo of Donkey Meat with Yellow Noodles by Laura Kelley; Photo of Yakitori-like Donkey Kebabs by Xiye @ Dreamstime.com).

Silk Road “Muslim-Grilled” Steak

This is a dish that is served all over China. In the east and southeast it is called “Muslim Grilled” and in the west and northwest it is just called “steak” or “beef”. Tender meat rubbed with onion and garlic or given a light coat of the ground vegetables mingles with crushed cumin and black cumin along with lots of black pepper, some Szechuan pepper and just a hint of ground chillies to push it over the edge. Voila – the center of a fantastic omnivore meal. It is also super simple and quick – fitting in with a long day of work and commuting and can be cooked on a inside broiler or outside over coals or on a gas grill. Since I’ve reconstructed it, it has become an instant family favorite – even with the kids. I get shouts of Yaaaay! when I tell them this is on the night’s menu.

Chinese “Muslim-Grilled” Steak

I usually crack or only coarsely grind the peppers and cumins for a more rustic coating that is just short of a crust.

If you are a bit “spice shy” you can only coat one side, but if you are a lover of robust, full flavors, coat both sides and the edges as well. The coating also works with pork or lamb, but I think that this particular spice mixture is best on beef. Favorite ways to serve it are either with the Indian Ginger Potatoes or the Pakistani Tamarind Potatoes from Volume One of the Silk Road Gourmet, but a hearty Roasted Pine Nut and Garlic Pilaf works really well too and offsets the spiced steak nicely.

Chinese “Muslim-Grilled” Steak

1.5 -2 pounds of Beef steaks (to serve 4)
Onion and garlic, peeled and chopped (for rubbing), or
½ teaspoon ground onion powder, and
½ teaspoon ground garlic powder
1 – 1½ teaspoons coarse sea salt
1 teaspoon cumin seeds
2-3 teaspoons black cumin seeds
2 teaspoons black peppercorns
1 – 1½ teaspoons Szechuan peppercorns
¼ – ½ teaspoon ground red chili peppers

Salt both sides of the steaks and set aside as you grind the spices. In one mortar, combine the cumin and the black cumin and grind by hand until the seeds are coarsely ground. In a separate mortar, grind the black peppercorns until coarsely ground.

If rubbing the steak, rub both sides vigorously with the onion and garlic and set aside. If using the ground onion and garlic powders, coat one side with half of the powders and let sit for a few minutes. Then proceed to coat one side of the steak with half of the ground cumin mixture. Press lightly into the meat before proceeding to the pepper.

Next, press half of the peppercorns into the meat and set aside. Grind the Szechuan peppercorns until finely ground and coat the steaks with half of the powder. Lastly, add the ground chili powder to the steaks and let sit for at least 15 minutes for the spices to flavor the meat.

Flip the steaks carefully and if using the powdered onion and garlic coat this side with the remaining mixture and let sit for a few minutes. Then press in the cumin mixture, wait a few minutes before adding the crack black pepper and then the ground Szechuan pepper and chili powder.

Grill over high flame for no more than 5-6 minutes per side for medium-cooked meat. Flip gently or the cracked spices may fly off to the detriment of the flavor. When cooked to desired state, remove from flame, plate and let rest for 5-6 minutes before serving to let the meat’s juices well up as the meat cools.

Pairs well with a hearty Georgian Mukuzani or a mild Chinese red depending on your point of view. . .

Riding Down the Karakorum Highway

I arrived in Kashgar after a nearly three-day trip from DC with a layover and shower in Urumqi lasting only a few hours.  I was met at the airport by a couple of wonderful Uyghur guys from Kashgar Guide/Xinjiang Travel who whisked me straight out of the city and onto the Karakorum Highway for a bit of adventure.  Dust swirled as we sped southwest on the highway past blooming apricot trees and swaths of wheat sprouting bright green amid the sand and clay.  We stopped in Opal to buy food for a picnic and found fresh naan and lamb kebabs as well as a gorgeous seletion of fresh fruit.  We packed it all up for a lunch at Karakol Lake and started out again. We continued for a way on the dusty plain, but soon the mountains were looming up on the left. They rose higher and higher until they formed a massive snow-capped wall in front of us.

Karakorum Highway

As we began to make our way through the Karakorum Range through the Ghez River Valley, the mountains rose higher and higher until some of the peaks topped 8000 meters in height. The land around me was like a living geological textbook – with some of the best examples of uplift and water erosion I’ve ever seen. The strata in most cases can be read like a book. It is not a fertile place. It is dry and forbidding this time of the year. Many of the lakes and streams were low or dry, but I was told that was becasue the snows on the mountaintops hadn’t melted yet. Then water is plentiful and the plains flood and the rivers roar with clean water from on high. Everywhere, domesticated yaks and camels graze freely on the sparse dried vegetation they can find amongst the dry rocks and gravel.

Mighty Muztagh

We were told by some Tajik herdsmen that in this area they only make Yak dairy in September and October becasue the pasture is so poor before the melted snow comes. They leave the milk for the young at this difficult time until the young yak are fully able to graze on their own.

Herd of Grazing Yak

After we left the Ghez Valley the road turned south again and continued to rise in altitude. As we left the mountains we entered into a valley of some of the most splendidly desolate scenery I have ever seen. The Pamir foothills rose on the right. Great cloud banks moved over head casting deep shadows over the land below and my head was full of Steve Reich marimbas and the whistle of cool Spring wind.

Splendid Desolation in the Pamirs

We met a mixed group of Tajik and Kyrgyz traders camped by the roadside selling amber goods ranging from necklaces to scorpions embedded in the harded sap. The tall Kyrgyz trader haltingly told me in English that he would give me the hat off his head – so I bought it. I saw him on the return journey with a new hat, so apparently that is part of his sales routine. So many hats so few tourists.

Tajik and Kyrgyz Traders

We finally stopped for lunch at Karakol Lake and dined on the naan and kebabs as well as the most sweet small oranges I’ve ever had, and fantastic local pears. The fat from the lamb flavored the naan perfectly and the pears were crisp and sweet and juicy with firm texture and would, I think, make good cooking pears. We wanted to make Tashkorgan before dark and walked around only briefly. I was not yet adjusting well to the altitude – we were already approching 4,000 meters – so the briefest of walks was fine with me.

Yurts near Lake Karakol

Tashkorgan gets its name from the ancient Stone Fortress on the outskirts of the city. The ruined fort, which is the ancient capitol of the Tajik people, was inhabited more than 2000 years ago as part of the kingdom of Puli. The capital and surrounding encampments were at their most powerful between the 7th and the 10th Centuries ACE. Then began a period of war and decline that lasted form more than 100 years until the city was a shadow of its former self. When the Mongols conquered, the city was sacked and destroyed. Its odd though, the modern city of Tashkorgan still has a lot of Tajiks living permanently there as if standing guard over the ruins of their lost city. This population swells seasonally with the influx of other semi-nomadic Tajiks as well.

Kids in Tashkorgan

We walked around the modern city first and came upon a small market on a side street. They had the most delicious looking roasted chickens coated with chili peppers and sesame seeds – spicy and earthy at the same time. I bought several different types of chilis – each one more powerful than the next. The kids were everywhere and unlike in the States, they roamed freely through the streets. They are gorgeous and looked like they could be from anywhere in the northern hemisphere – other than China and Eastern Asia.

The Stone Fortress

My guide, Hasan, and I climbed up to the great fortress and sat on top overlooking the deserted plain below. The fort is surrounded on three sides by mountains and opens on the east to the Taklamakan desert. Turning away from the modern city which lay nearby, the rest of the landscape is today exactly as it was when the Stone Fortress was bustling with life and love and trade. Ancient ammunition still littered the ground. Now and again we spied a perfectly rounded stone a bit larger than the rest that was used with a slingshot in defense of the realm. We sat for a long time as the sun started to fade. The silence was broken only by the tittering of an eagle in the distance like an echo out of the past. (Words and photos by Laura Kelley)

Midday at the Oasis

Decorated Door in Turpan

Imagine yourself in a lush trellised garden of grape vines and mulberry trees. A brook babbles nearby and a light breeze filters through your leafy bower. Birds flit amongst the vines and provide music for your sojourn. You recline on a woven silk carpet of red and white that covers long wooden benches painted bright turquoise blue. Perhaps you sample the abundant local fruits and raisins while sipping locally produced wine. After a few hours of such pleasure, you have forgotten the harsh conditions that you travelled through to get here. After a few days you will once again be moving through the great sandy sea that surrounds this place. . . .

For some travelers along the Silk Road wanting to trade the unsurvivable Taklimakan desert for the inhospitable Gobi, this scene played out thousands of years ago. For me, it was last month during my visit to Turpan, China.

In April, the temperatures at nearby Flaming Mountain – the hottest place in China – topped 50 degrees centigrade. The extreme temperatures (which rise as high as 83°C) occur here because of the high iron content of the mountain and surrounding soil eroded from its great flanks, low elevation (500 feet below sea level) and in most places beyond Turpan, little to no ground cover. What is now desert was a little more fertile in the hey-day of the Silk Road, but still, the area beyond the Turpan oasis was a harsh place.

Flaming Mountain

The incredible fertility of the oases is made possible by a series of underground canals and surface wells called a Karez. Karez is a Persian irrigation system that was invented in the 1st millennium BCE and spread throughout desert countries or regions in the following centuries. Turpan’s Karez was constructed during the Han Dynasty (206 BCE – 24 CE), and is still in partial use today. In Turpan, it is fed by groundwater and by melting snow from Tian Shan mountains. According to a UNESCO study of Iraqi Karez, a single Karez can sustain 9000 people and provide water for 200 hectares of cropland.

Vines and Benches in Turpan’s Grape Valley

In Turpan and surrounding areas this means two things: grapes and corn. Other crops produced from irrigated lands in the region include melons, pears, and apricots, but grapes and corn are by far the most important agricultural products. Translating this to the table, Turpan is awash in a wide variety of sweet raisins and wine. As a Uyghur city, the raisins are enjoyed by everyone and the wine is for tourists and for the burgeoning Han population that is increasing in leaps and bounds as Xingjian province develops.

Interestingly, grapeleaves and cornstalks (supplemented with salt and sugar) also form the basis for much of the animal fodder in Turpan, and yes, the taste of the grapeleaves comes through in the tender, sweet mutton enjoyed in the area – the best pastorally derived meat I have ever tasted. Also, according to Muslim and Uyghur practice, lambs are not slaughtered too young, so by far, most of the meat eaten is from adult animals.

Grapes and Raisins

Turpan Grapes by Don Croner

I visited Turpan in the Spring, so the vines were just leafing out and climbing their frames from their long winter rest. Still they provided rare shade from the onslaught of the midday sun. The winter climate is so severe in Xinjiang that the vines are dug under and covered each autumn to protect them from the temperatures which can fall as low as -20°C and are accompanied by biting winds. The hot dry climate in the summer, however, provides a taste advantage when towards the end of the growing season irrigation is decreased and the sugars are allowed to set in the grapes.

There are over 50 kinds of grapes native to Xinjiang and several hundred more that have been introduced in recent decades. Of the native varieties, Turpan Seedless White is prized for its sweet flavor, color and fragrance. The Mare’s Teat is another variety that is large, sweet and succulent, and the sweet yet slightly tart Suosuo variety are small purple, seedless grapes – that resemble champagne grapes – between the size of a large peppercorn and a caper. These last raisins are an important ingredient in Uyghur medicines and are said to be good treatment for everything from measles in children to intestinal upsets in adults, blood disorders and qi problems. Because of these myriad medicinal uses, they are much more expensive than ordinary grapes or raisins.

Drying Raisins in a Qunje

Some grapes are harvested as early as July and some last on the vine until autumn. Grape growers store some of their grapes in cellars or storehouses so as to have fresh fruit during the winter and spring months, but even more grapes are dried for raisins. Grapes are dried in mud-brick buildings – checkered with holes to allow circulation of air – called qunje in Uyghur. The grapes are left in the qunje for thirty or forty days, by which time they have turned into full, succulent sweet raisins which still retain the color and luster of fresh grapes. Sometimes, the grapes are allowed to dry for a few days in the sun before being hung in the qunje to make a sweeter variety of raisin.

I sampled seven different types of raisins while I was in Turpan. In general, the lighter colored raisins – white and green were more sweet than the darker reddish varieties. Most were seedless, but a few had noticeable seeds. They were all sweet and delicious, but the seeded varieties seemed to have the most complex flavors – being tart and sweet at the same time.

Wine

Xinjiang Wines

After sampling several wines from Xinjiang and Gansu, I found all of the wines were clean and fresh. They are light to medium-bodied, and have a short to medium length finish. On the downside, they are thin on the palate with very little concentration or intensity, and next to no complexity. They are good, but at this point, by western standards, they are not great. However, they please the domestic market and have done so for the better part of two millennia so far. Whether they will ever become wines that sell on the international market remains to be seen. The Chinese are interested in developing wine tourism and an internationally marketable wine industry, and are taking steps to do so. When I was in Turpan, they had just had a consortium of Napa Valley winemakers visiting for consultation.

As we were leaving Grape Valley a spring Sandstorm sprung up and blew down several fully grown poplar trees lining the avenue to the oasis.  Despite the storm we kept on travelling south and west to make my train.  As the storm stopped we were far away from the lush valley and as I looked back I could see no trace of the green vines promising an abundant harvest that I had enjoyed only a few hours ago.  Was it perhaps just a mirage? (Words by Laura Kelley.  Photos of Decorated Door in Turpan, Flaming Mountain, and Vines and Benches in Turfan by Laura Kelley. Photo of Turpan Grapes by DonCroner, Photo of Drying Raisins in a Qunje and Xinjiang Wines from Wikimedia.)